MA Fine Art

The course philosophy is underpinned by two premises. Firstly, that creativity isn't a talent that we're born with but something that can undoubtedly be learnt; and secondly that artists learn most effectively by doing, by engaging in activity that's meaningful to them, and then reflecting upon that experience.

The open-ended nature of the discipline is reflected in an emphasis on investigative studio practice. A Fine Artist may know ‘how’ or ‘why’ they're going to work in a certain way but can't predetermine ‘what’ the final product will be, or how others will make meaning from it.

The distinctive features of MA Fine Art at AUB include:

• A synergy of student cohorts comprising multifarious disciplines, professional experiences, ethnicities, dispositions, life circumstances and neurodiversity are shaped into relevant and impactful communities of contemporary Fine Art practice.
• Focus on autobiography as the launchpad for a reflexive reassessment of artistic and creative roles, responsibilities, boundaries, discourses, and methodologies.
• Foregrounding what socially engaged art practice can ‘do’ as a mode of research for gaining understanding and offering up new perspectives of value to oneself and others.

The course is delivered through three 60-credit units, as consecutive and equally weighted phases of study:

Master's 1: Deconstructing Thinking and Practice

The first unit launches studio coursework with an experimental phase of study that challenges pre-existing understanding of artistic materials, methods, and contexts. Short projects driven by thematic provocations revisit the fundamentals of Fine Art thinking. Light-hearted and fast-paced, this unit dispels self-consciousness as developmental responses are regularly documented and constructively discussed. Although some properties, processes and strategies may already be familiar, analysis of their relevance for oneself and others is encouraged.

Master's 2: Navigating Content and Context

This unit aims to define subject-matter, intentions, and research parameters in relation to context. In launching a major body of work to be finalised in Master's 3, you're encouraged to survey existing practices, literature, concepts, theories, and enquiries of relevance to an emerging subject focus. The approaches of others are repurposed as modes of gaining understanding and generating new knowledge around one’s own concerns grow a stronger sense of artistic identity and responsibility. Gradually taking ownership of planning, testing, promoting, and presenting work helps build a distinctive professionalism in which individual personality, interests and audience meet.

Master's 3: Resolving Audience and Impact

The final unit emphasises the findings, function and coherence of outputs that are realised then tested in the public domain through group exhibition and/or publication. It constitutes an ambitious and demanding phase of study investigating the forefront of disciplinary boundaries and pushing the possibilities of artistic roles. The reflexive, self-aware and autonomous habits required to sustain a successful Fine Art practitioner are cemented through increasingly methodical working. A set of opportunities for future practice and research are defined in establishing a position within creative industries.