Research artefacts - 38/39 - Arts University Bournemouth

Hard times

Read more

Some issues in the representation of rural working-class dress in British nineteenth-century photography

Read more

Dance of the ubermarionettes: toward a contemporary screen actor training

Read more

The documentary form

Read more

Developing a method for the study of the clothing of the ‘poor’: some themes in the visual representation of rural working-class dress, 1850–1900

Read more

British animated cartoons and topical propaganda, 1914-18

Read more

Computer games as remediated animation

Read more

Drawing Lines in the Sand

Six installation projects have been developed in various locations across Cockatoo Island in Sydney Harbour. The participating artists have engaged with various aspects of the site’s institutional heritage and topography, considering the island as a historic, tangible place and a symbolic space more broadly. The artworks reflect upon conditions of interiority and exteriority in a uniquely Australian context. This relates to a perspective that encompasses contradictory and conflicting extremes, a geographic imaginary particular to the Island Continent. A Peloton Project curated by Claire Taylor.

Read more

Three plays for rural audiences

‘Three plays for rural audiences’ by Dan Allum, Josephine Carter and Shiona Morton, edited by Sean Aita

Read more

The International Conference on Cultural Empathy and Communicative Intelligence

Sean Aita was a plenary speaker at the International Conference on Cultural Empathy and Communicative Intelligence hosted by the 2010 European-Off Meeting and Europe Art Space Platform, 6-9 May 2010, at Istanbul Archeology Museum, Turkey. Artists and academics, governmental bodies, cultural institutions and NGOs discussed the common future of Turkey and Europe in the cultural and artistic field, intercultural dialogue and cooperation projects and new opportunities for peace. Representatives from Cultural Contact Point Turkey, Istanbul State Opera and Ballet, Austrian Cultural Office and Italian Cultural Center, IETM and academics from various universities of Europe were among the plenary speakers of the conference.

The Conference provided an opportunity to promote intercultural dialogue; by establishing a conceptual framework for cultural and artistic exchange throughout Europe and the rest of the world; emphasizing the pioneering role of arts as a direct communication medium, and reflecting on the idea that Arts can be an effective tool to advance understanding and dialogue by creating new forms of communication.

Read more

Animated interactions: animation aesthetics and the ‘interactive’ documentary

Read more

‘I was dreaming I was awake, and then I woke up and found myself asleep’: dreaming, spectacle and reality in waking life.

Read more