23 November 2017 – 1 February 2018
Curated by Dominic Shepherd
Black Mirror: Magic in Art explores the influences and roles of magic, enchantment and the occult in contemporary art and how they function as aesthetic, conceptual and political forces. Through a multi-disciplined curatorial approach of 2D, 3D, film, video and performance art, Black Mirror will showcase the work of fourteen internationally recognised artists.
Modernism was built in the late nineteenth century, we live within its legacy; the same period created the foundations of modern magic as it is practised and understood today. The magical and occult have been much marginalised within the scholarship of twentieth century art, seen in opposition to enlightenment and progressive values. This exhibition challenges this premise, taking fourteen artists whom draw on the magical to propose that enchantment and occult are intertwined with contemporary issues.
Covering a period over the last thirty years a magical aesthetic is intrinsic to an engagement with environmentalism; feminism; gender; post-digital; neo-liberalism and nationalism. Black Mirror is an exhibition where the magical, occult and enchanted are activated as progressive forces that question and direct the flux in this uncertain age.
Jesse Bransford, Clinical Associate Professor; Department Chair, NYU Steinhardt
Siân Bowen, Professor of Drawing, AUB
Lindsey Bull, Artist
Tom Butler, Artist
Willem de Bruijn, Senior Lecturer in Architecture, AUB
Tessa Farmer, Artist
Heywood and Condie, Artists
Jason Martin, Artist
Judith Noble, Associate Dean Media, Plymouth College of Art
Paula Rego, Artist
Dominic Shepherd, Associate Professor Fine Art, AUB
Mark Titchner, Artist
Suzanne Treister, Artist
Marie von Heyl, Artist
Meet the exhibition curator: Associate Professor Dominic SHepherd
Dominic Shepherd is Dorset based Artist and Senior Lecturer in MA Fine Art at the Arts University Bournemouth. He studied at the Chelsea School of Art and graduated with both a BA and MA in Fine Art. Dominic is a prize winner of the 2004 John Moores Prize, a prestigious prize that showcases avant-garde paintings. In 2008, he undertook a research fellowship at AUB and in 2015, he was made an Associate Professor at the University.
He has exhibited internationally with an extensive record of group and solo shows in London, New York, Berlin and Los Angeles and is represented by Charlie Smith London. He has also been included in and written for, various publications.
Dominic is presently the co-coordinator (with Judith Noble and Jesse Bransford) of the Black Mirror Network that explores the influence and role of Enchantment, the occult and magic in modernist and contemporary art.
MEET THE Publication CURATOR: Dr. Willem de Bruijn
Willem de Bruijn is a Senior Lecturer in Architecture at the Arts University Bournemouth, where he teaches Contextual Studies and supervises research degrees. He holds an MSc in Architecture (2001) from the TU Delft and a PhD in History and Theory of Architecture (2010) from The Bartlett School of Architecture, London. Willem previously co-curated several research-led exhibitions at The Bartlett School of Architecture and is currently publication curator and designer for the catalogue accompanying the Black Mirror exhibition.
As part of his doctoral research, Willem investigated the historical and conceptual connections between architecture and alchemy, focusing on texts published during the early seventeenth century (the literary baroque). He has made books incorporating material drawn from these sources to construct spaces for contemplation and wonder in the largely forgotten tradition of the emblem, a favourite medium of literati, occultists and alchemists alike. The Black Mirror: Magic in Art publication will again revisit this tradition through its emphasis on the interplay between the verbal and the visual in its design.
Black Mirror Featured Publication
Black Mirror: Magic in Art features works and biographies by the artists participating in the Black Mirror: Magic in Art exhibition hosted by TheGallery, AUB. It also contains an introduction by Dominic Shepherd, which contextualises the work on display; a contribution by Professor Emma Hunt, AUB; and essays by Jesse Bransford and Willem de Bruijn that open up further avenues of investigation into the realm of magic, art and architecture. Not exactly a conventional exhibition catalogue, the publication aims to present a selection of work within a space different from that of the gallery, but equally committed to bringing about thematic connections between the artists and their work.
Black Mirror: Magic in Art
Published by text + work, TheGallery, AUB
2017, Soft cover with images
Publication includes contributions by Associate Professor Dominic Shepherd, Willem de Bruin and Professor Emma Hunt
Available to purchase from TheGallery Office or the AUB online store
Interview: Dominic Shepherd on Black Mirror, art and the occult
Interview by Rupert White on artcornwall.org
Art Cornwall is an online art journal compiled and edited in Cornwall, UK.
How did ‘Black Mirror’ first come about? Who was behind it?
Judith Noble and I met at the Arts University Bournemouth in 2013. We established fairly quickly our mutual interest in the occult and magic. Judith saw my artworks in an exhibition in London (eg ‘Baptism‘ (2012) right), and she was organising ‘Visions of Enchantment‘ conference at Cambridge University with Dan Zamani.
Through discussion we realised there was a space and need to create a platform that explored the influence of the occult, magic and enchantment on modern and contemporary visual arts. We formulated, with the help of Arts University Bournemouth, the premise for the Black Mirror research network. Very quickly Robert Ansell of Fulgur Esoterica joined us in wishing to publish a series of volumes to further our aims, which was fantastic.
Through Robert we met Jesse Bransford (cf picture below left) of New York University and so it has grown into an international network. Still it grows.
Read more of the interview at artcornwall.org
Black Mirror Research Network
The Black Mirror Research Network originated at Arts University Bournemouth and explores the influence and roles of magic, the occult and enchantment in modernist and contemporary arts in an international context.
The network is a partnership between AUB, Plymouth College of Art, NYU Steinhardt and publisher Fulgur Esoterica. The network promotes and facilititates publicates , exhibitions, conferences and other events. The next Black Mirror event is Seeking the Marvellous: Ithell Colquhoun, British Women and Surrealism, 22nd and 23rd March 2018 hosted by Plymouth College of Art.
The peer reviewed publication ‘Black Mirror’, soon to launch its third issue Elsewhere, is a platform to articulate and share the remit of the Network. The editors of the Black Mirror publication series are Robert Ansell (Fulgur Esoterica Press), Jesse Bransford (NYU Steinhardt), Merlin Cox (Warburg Institute), Judith Noble (PCA) and Dominic Shepherd (AUB). Many of the thirteen artists in this exhibition have previously appeared in the Black Mirror publication.
Project Partners/ Consultants:
Steinhardt – New York University
NYU Steinhart’s mission is to advance knowledge, creativity, and innovation at the crossroads of culture, education, and human development with their integration of education, communication, health, and the arts.
Plymouth College of Art
Plymouth College of Art opened in January 1856 with the aim of providing high-quality education for life in contemporary arts practice, as the creative catalyst for personal, professional and cultural transformation.
FULGUR is the leading independent publisher of esotericism and magic in visual culture. They work with artists and writers to develop projects that explore ideas of enchantment, relevance and agency.
Charlie Smith London
Charlie Smith London was established in October 2009 with the objective of running an exhibition programme of dedicated one person exhibitions and dynamic curated group shows. Specialising in emerging to mid-career artists, the gallery’s approach is collaborative and curatorial, and emphasizes work that engages critically with profound human and historical themes.